Carl Rakosi Biography
Born on November 6, 1903, in Berlin, Germany, Carl Rakosi1Birth name was Karl Rakosi, but the Hungarian spelling of his first name was abandoned at some point following his childhood emigration to the United States. was the only first-generation American immigrant among the core “Objectivists” (Basil Bunting was born in Northumberland, England, but remained a British citizen until his death).
Rakosi’s parents, Leopold Rakosi (born Leopold Rozenberg in 1874)2WWI draft registration cards give his birth as 13 May 1872. and Flora Steiner (born 1879), were Hungarian Jews who had married in Budapest in 1897[?]. Their first son, Lester, was born in 1898, and the family emigrated to Germany for business reasons shortly thereafter. At the time of Carl’s birth, Leopold was one of three Hungarian partners in a firm which manufactured canes and walking sticks in Berlin, making him a respectable member of the Jewish merchant class in Wilhelmine Germany. Rakosi described his father as looking like “an ideal Swede,” with a “trim moustache and grey eyes and straight gentlemanly nose and fair complexion … looks, clothes, manner clean-cut … the voice big and resonant, unexpected in such a small man, and an air of utter integrity.”3”Carl Rakosi” in Contemporary Authors Autobiography Series, Vol. 5, p. 194.
While he was never especially active politically, Leopold had deep emotional sympathies for socialism, which originated during his years working in Germany. According to Carl, one day while on a lunchtime walk through Berlin’s Großer Tiergarten, his father chanced upon a public address given by prominent German socialists Karl Liebknecht and Rosa Luxemburg and found himself:
dazzled by the power of the words, moved in every cell by the speaker’s deep moral passion, which he felt at white heat, and his commitment to a cause from which he himself could not benefit, and the realization came to my father then that this was the noblest thing a man could do . . . he could not conceive of anything nobler . . . to have a great cause, to be a spokesman, an advocate, a champion of the oppressed and downtrodden. He never got over that. There was awe in his voice, almost reverence, and a hush, and his face became transformed when he mentioned the names of the speakers, and I, sitting at my favorite spot next to his right elbow by the workbench, basked in the glow of his idealism. And when he went on about the brotherhood of man and the necessity for justice, his favorite themes, a wave of emotion surged through me and lifted me up, and I was glad.4”Carl Rakosi” in Contemporary Authors Autobiography Series, Vol. 5, p. 194.
The first year of Rakosi’s life was a very difficult one for his family. Just as the cane manufacturing firm was beginning to prosper, Leopold’s wealthier partners bought him out of the firm, leaving him without a job. Furthermore, although Rakosi was too young to remember this time clearly, he later suspected that his mother probably experienced severe postpartum depression (then called melancholia), which prevented her from fulfilling the maternal responsibilities expected of her. In later life, Rakosi was unable to recall any precise memories of his mother,5In a brief autobiographical essay Rakosi relates that he does not remember seeing his mother or her ever touching him, even in the 5 years he lived with his grandparents in Baja. (Autobiography, 196) and knew only that others described her as very beautiful, with waist-length black hair and dark, expressive eyes. Rakosi told Kimberly Bird in 2002:
What I remember … is always being alone. At least that’s the way I remember it. I was really terrified. This is from birth to my first year. Now, whether this is an actual memory or not, I’m not sure, but it feels like a memory of being utterly alone, in a huge room. That has left me with a fear to this day of being alone in a house.6In his published autobiographical account of his childhood, he relates a similar memory: “I am in a very long room, so long that I can not see its end. There is very little furniture. The ceiling is very high and vast. There are shadows. The further away they are, the longer and heavier. There is no one there. I lie in my crib. All I’m aware of is that I am. And the silence. The silence is loud. No one comes. The silence is all there is. The nothing is oppressive. Hours go by and it becomes harder and harder to bear. There is no end. There is only the silence. And nothing. But beyond what I can see is Something ominous looming (Autobiography, 195).This is not a dream; it’s a memory, and I am bonded to it. It’s a memory of no one being there and no one coming. A mother was not there. I’m sure.7”Scenes from My Life” in Collected Prose, 85.
Whatever the precise cause of the rupture, Leopold and Flora separated in 1904, and divorced soon after. Following their separation, Leopold emigrated to America (via Budapest) while Flora and the two boys returned to her parents’ home in Baja, Hungary, a city of around 25,000 near the Serbian border. Rakosi remembered this time with mixed feelings:
I don’t remember ever seeing my mother, don’t remember her ever touching me or holding me when I was little. My father left her when I was only one year old and my brother Lester and I were brought up for the first six years of my life by her mother in a small town in southern Hungary. My mother lived somewhere in our house but always out of sight and hearing. Not that I felt anything was missing … but it has left a great mystery in my biological past. A big chunk is missing, the part that would have told me who I am biologically. As a consequence, there has been a slight psychic discontinuity, both things which look as if they belong in the making of a poet-self.8Archive for New Poetry, UCSD Mandeville Special Collections, MSS 0355, Box 4, Folder 4.
While he could recall no interaction with his birth mother, Rakosi had a much happier relationship with his maternal grandparents, Samuel and Rosalia [Róza] Steiner. Rakosi was especially fond of Rosalia, who he described as being “my mother, but more gentle and kind than a mother.”9”Scenes from My Life” in Collected Prose, 85 He would later recall her with deep love:
The eyes are sad and reflective, the face tired, beginning to show wrinkles, but the mouth smiles and an incomparable sweetness, her character, exudes from her, holding nothing back, and envelops me. She leans towards me, attentive, smiling, and I respond in like, as I had learned to do from her, also smiling, all inside me light. But I can not do her justice.10”Scenes from My Life” in Collected Prose, 85
Rakosi recalled his Steiner grandfather as
a formidable gentleman with a Bavarian-style beard. At this time in his life, he was reduced in circumstances to owning a small umbrella and notions store, where he did his own repairing, but I gather that at one time he had done well in business but had gone broke, trying to help his sons establish themselves. He had to work hard. In my memory of him there was something stern….despondency probably…..which I couldn’t understand.11Source needed–from UCSD materials.
The Steiner’s had had four children, three sons and one daughter (his mother, Flora). Their youngest son, Karoly, had died as a young man in a building collapse, and he was Carl’s namesake (Karoly is the Hungarian version of the German Karl/Carl). Flora’s other two brothers had emigrated to Munich, where they married German women and converted to Catholicism. Rakosi recalled somewhat strained relations within the family, largely the result of economic, cultural and religious disagreements (he would later learn that his grandfather had been essentially bankrupted in trying to help these two uncles, who the rest of the family viewed as dissolute, lazy, and dishonest, establish themselves financially in Germany).
Rakosi’s few memories of Baja, apart from the total absence of his mother and occasional rock fights between the local Serbian and Hungarian Jewish children in the neighborhood, were generally happy. His grandparents lived in a modest home, with a barn and mulberry tries behind, owned a horse, and kept chicken and geese. At age five, he was enrolled in a Jewish community school administered by the local community, and he and Lester lived happily with their grandparents in Baja until the following year, when the two boys left to join their father in America.
Rakosi never met his paternal grandparents (Barbara Mayer and Abraham Rozenberg), Hungarian-speaking Jews native to Szilágy megye (Sălaj county), a mountainous, forested region of Transylvania which became a part of Romania following the signing the Treaty of Versailles. According to family lore, his grandfather, who made his living as a grain merchant, was a tall man with a long ‘biblical’ beard marked him as visibly Jewish among their mainly Transylvanian peasant neighbors, who referred to him as “Father Abraham”.12”Carl Rakosi” in Contemporary Authors Autobiography Series, Vol. 5, p. 194.
The Rozenbergs had four children, two boys (Jacob and Leopold, Carl’s father) and two girls, all of whom moved to Budapest as teenagers in search of better educational and vocational opportunities. Their eldest son, Jacob, had been an exceptionally promising student at the Jesuit gymnasium in Szilagymegye, and the teachers there wanted him to continue his studies at the University of Budapest. Because the family both lacked the money to support him as a student and the university had strict quotas on the number of Jews that could be admitted, his Jesuit instructors proposed that the church could pay for his university studies provided that Jacob converted to Catholicism. Jacob and his parents agreed to this arrangement, but Rakosi recalled that his father Leopold:
was deeply disturbed by this because nothing offended his moral sense more than a Jew giving up his religion and identity to become a Christian, especially for practical reasons. He avoided talking about it because he was very fond of his brother and looked up to him.
Jacob graduated with honors from the University and went on to teach philosophy there for many years. What must have been for reasons of expediency he changed his name to Rakosi, a variant of Rakoczy, Hungary’s great national hero. With that, he ended once and for all his connection to the world of Szilagymegye and “Father Abraham.” In Budapest, however, it was not at all unusual for Jews to take on Magyar names, not necessarily because of expediency but because they had become Magyars in spirit and wanted Hungarian names to show it. …
Towards my father he acted as a guardian. Knowing that my father would have to have some kind of a trade to make a living, Jacob arranged a watchmaker apprenticeship for him with a master craftsman in Budapest, a reputable Christian approaching retirement age. My father was only thirteen then. By agreement he was to work and learn under this master for the whole time, a period of seven years. In return he lived in the master’s home, got room and board and pocket money, and agreed to behave decently, according to the life-style in the house. Living there, he came to feel like a member of the family, and the master felt the same towards him and looked out for his welfare.13”Carl Rakosi” in Contemporary Authors Autobiography Series, Vol. 5, p. 194.
Following the completion of his apprenticeship, Leopold served as a hussar (cavalry officer) in the Hungarian army. Following Jacob’s example, upon coming of age, Leopold changed his surname to Rakosi in honor of Rákóczi Ferenc [Francis II Rákóczi], a Hungarian folk hero who led an uprising against the Habsburgs in the early eighteenth century. Though he did not follow Jacob in adopting Catholicism, Rakosi described his father during that period of his life a well-integrated patriot who “regarded himself as a Hungarian first and a Jew next.”14Oral History, 28.
LEAVING BAJA, EMIGRATING TO THE UNITED STATES
Following his dismissal from the cane-making partnership in Berlin, and the dissolution of his marriage to Flora, Leopold emigrated to the United States, hopeful that his training as a master craftsman in Europe would provide better economic prospects in an environment with greater need for skilled workmen. Leopold settled first in Chicago, where he found work as a jobber, repairing chronometers for Moore and Evans, a large wholesale jewelry firm. In Chicago he also met and married Rose Kulka, a fellow Hungarian whose family came from what is now Slovakia.
In 1910, when Carl was six years old and Lester was eleven, Rose made a solo voyage to Baja to fetch the boys and bring them to live their father in the United States. Neither Carl nor Lester had ever met their step-mother before, and only Lester had any memories of their father, so one can only imagine the strange mixture of feelings that accompanied her arrival and Carl’s separation from the only family he had ever known. Rakosi would later write of this parting from his grandmother:
I can imagine the final moment. The bags are packed. We are all dressed, ready to leave. The time has come. All I am thinking of is the going and the necessity to act as if this were like any other day. She has suppressed her tears so as to make the parting bearable to me. I walk up to her and like my granddaughter Julie, also six at the time I wrote this, let myself be hugged and kissed with that self-possession and vigilance which protect children. And I leave without recognizing her grief or even acknowledging that this is a separation.
Forgive me.15”Scenes from My Life” in Collected Prose, 85-86.
After emigrating to the United States, Rakosi had no further contact with his mother or her parents. Years later, in the 1980s, Rakosi returned to Baja with his daughter Barbara and her husband Dan Nordby in hopes of visiting his childhood home. While there, they chanced upon the building which had previously been the town’s synagogue (and is now the Baja public library), and found his mother and grandmother’s names listed on a monument to local Jews murdered in the Shoah:
We were walking down the street, and I see a big new building there, a synagogue. First of all, it was a new building; and, then, a big synagogue? I couldn’t understand. Ninety percent of the Jews had been killed at Auschwitz. How could it be? So, we walked in and I learned that it was no longer a synagogue, because there weren’t any Jews left. The building had been converted into a public library, but there was a Jewish altar at one end. And the librarian told me that—I no longer had enough Hungarian to talk to her in Hungarian, but I could manage the German pretty well—that there was one Jew who worshipped every Friday night at the altar there. So, I asked the librarian, “How come there is this synagogue, a big new synagogue, here?” She said, “We thought the Jews would come back to Baja, that they simply had left, fled.” …
Anyhow, then we were walking out and there was this long stone plaque, a handsome plaque outside the building. It was like a wall. It had many names engraved on it. I was going to go on, I wasn’t going to pay any attention to it, but I paused. “Let’s see what’s here.” Auschwitz was written on it. I looked down and I see the names of my grandmother and my mother.16See: Flóra and Róza Steiner: http://data.jewishgen.org/imagedata/hungary/holocaust/Baja16.jpg. So that was how I learned that they had been killed in Auschwitz.
So, that was it. Well, the death of my natural mother didn’t mean that much to me because I really had had no personal relationship to her; it had all been with my grandmother. My grandfather must have died before Auschwitz.17Oral History, 202. Another variant of the story can also be found earlier in this oral history document: “I went back with my daughter and son-in-law, and we went back to Baja, partly in order to find out what had happened to my family. So, we went to the city hall, but during the Communist regime, they had transferred all of the birth records to Budapest, so I couldn’t find out anything, but when I was walking down the street, I immediately recognized the houses, the kind of houses they were. So, we were walking down the street, and all of a sudden I see a synagogue there, a very handsome, rather new synagogue. Well, after the Holocaust, how could there be a brand-new synagogue in a city? So, we went inside and it turned out that they had transformed it into a library. So I was talking to the librarian who—I didn’t remember much Hungarian anymore. So I tried talking in German, and we got along fairly well. So I said, “How come there’s a synagogue here?” She said, “We thought that the Jews would come back.” Well, they had all been killed. There was only one single Jew left in the whole city of Baja. Everybody had been killed, sent to Auschwitz or other places. But, it shows—and this will interest you—that not everybody there was anti-Semitic, interested in killing Jews. They really thought that Jews had gone away to work somewhere, and this was the way to invite them back. It was an eye-opener for me. This is a dramatic story actually. Just one Jew. They had set up a tabernacle at one end of the library, and this single Jew, who apparently didn’t have a family anymore, used to come to Friday night services and perform the rituals. … So my daughter and I, and Dan, my son-in-law, walk outside, and I see there’s a wall there and some names inscribed carved into the wall, and just for the hell of it, I looked to see who’s there. Well, that’s how I discovered that my mother and grandmother had been killed in Auschwitz. Apparently my grandfather had died before that. (6-7)
Upon leaving Baja in 1910, Rose, Lester, and Carl made stops in Budapest and Vienna before embarking on the long transatlantic journey. The family went second-class, which impressed itself clearly upon Rakosi’s memory, as did the fact that he became sick after nearly every meal of the long voyage. The ship arrived at Ellis Island, where the two boys completed a nerve-wracking health examination (Lester was slender and suffered from kyphosis) and passed through the immigration desk to life on a new continent.18Rakosi describes the stress of this health screening in his Autobiography: “There into what looked like an enormous, barren barracks, the immigrants poured and stood around, waiting nervously in their best clothes to check out their papers and to go through the required medical examination, and it hit them head-on for the first time that no one knew exactly what state of health they had to be in order to pass” (199).
During the journey from Baja to Chicago, the two boys began to get to know their “father’s wife” (she had not yet come to be felt as their step-mother), forming the initial bonds for what would be one of the most important relationships of Carl’s young life. Rakosi would later recall his stepmother as “not a woman of great natural warmth, but a tremendously gutsy, courageous woman, very solid in her feelings and thinking. Not much of a thinker, but enough.”19Oral History, 4.
A MIDWESTERN CHILDHOOD
Once they disembarked in the United States, the family lived in Chicago for about a year. In 1911, Leopold borrowed capital and equipment from Moore and Evans, his previous employers, and opened a small jewelry and watch repair shop in Gary, Indiana, a town of about 17,000 inhabitants located roughly thirty miles southeast of Chicago. As a child, Rakosi faced a very rapid assimilation into an entirely new and bewildering culture. Of this transition, he told Kimberly Bird in 2002:
I started out not knowing one word of English, not a single word. I remember in Gary I had to pick up English immediately, and a little kid picks it up on the playground. … Gary at that time had a very progressive education system. They would test you and put you in the grade the test showed you belonged. … [O]ne day someone comes into the classroom and says they want to see me in the principal’s office. So I go to the principal’s office. The principal tells me, “Well, we’re going to change your class; we’re going to put you in this other class.” This other class was a year ahead. After about three or four weeks, I get another call to the principal’s office. This time I’m put into another class, a still higher class. So, I’m pushed around two years in just a few weeks time. I’m now in a class where I’m the littlest guy.20Bird, Oral History, 11. Similar account in the autobiography: “Gary’s school system was better than you’d expect in such a rough steel town. That was because it happened to have a bold, innovative superintendent at the time who assigned children to grade levels not on the basis of age but mental ability. Thus, one day I was sent to a room I had never seen before and given a test; I had not the foggiest notion why. The next day I was called out of class to the principal’s office and told I was going to be moved ahead a grade. I couldn’t understand it. Then a month later, the same thing, another grade ahead. I had no difficulty doing the work in the upper grades, but now everybody in the class was two years older than I, and that did make a difference in my life because henceforth everybody in class would always be two years older and bigger and I would always be two years younger and smaller, even at the university.” (199-200)
In a 1985 letter to a reader from Gary, Indiana, Rakosi wrote of his youthful introduction to the state of American race relations in the Midwest during his childhood:
I remember the steel mills, of course, but in addition a terrifying experience on the school playground on day: five huge, wild-eyed black boys, shrieking war cries and wielding clubs with nails, driving all the white kids off the premises. That was my first sight of blacks.21Rakosi spoke of a similar memory with Kimberly Bird late in life: “on the playground in Gary, it was a terrifying experience, because the steel workers were big guys, and they had big sons, and they were mostly black at that time, I remember, and these guys would come running out with brickbats, or wooden bats with nails in them and come at you, and they would take over the whole playground. You wouldn’t dare go out to play there.” (Oral History, 11)
Another memory. It’s a very hot night. We’re all sitting outdoors on the street and a little black puppy comes running up, his tail wagging joyously. That was Teddy, and love at first sight, for him too. He stayed with us until we were grown.22Letter to Jim Gross, 12 June 1985. UW Madison Special Collections, Box 2, Folder 37.
In a letter to his granddaughter Jennifer in 1996, Rakosi remembered Teddy as
my first dog, a black and white puppy who came into my life one hot summer evening in Gary, Indiana when I was about seven years old. We were sitting outside my dad’s store … to get away from the heat inside when this little puppy came wobbling up to us kids with his tail wagging a mile a minute and complete trust and hope in his eyes. At last he had found us, he said with his tail. Talk about love at first sight! Since he was a stray, he instantly became a part of the family.23Carl Rakosi papers, Mandeville Special Collections, UCSD, MSS 355, Box 8, Folder 31.
While they stayed long enough for Carl to learn English and acquire a puppy, Leopold struggled to establish his business in Gary, and in 1912 the family moved to Kenosha, Wisconsin, a rapidly growing industrial town located about 100 miles northwest of Gary and 65 miles north of Chicago.24Kenosha’s population in 1880 was just over 4,000 people. By 1910 in had grown to over 21,000, and to more than 40,000 by 1920 (meaning that it had sustained an average annual growth rate of nearly 6% for 40 years!)
Following their move to Wisconsin, Leopold and Rose lived at 61 N. Main Street and owned and operated a store in a modest brick building located at 5040 Sixth Avenue, then a working class neighborhood very near to the Kenosha Harbor on Lake Michigan. Leopold’s business letterhead identified Leopold as an “expert watchmaker and jeweler” and indicated that the shop, established in 1915, carried “diamonds, watches, jewelry, clocks, silverware, chinaware and optical goods.”
Rakosi remembered his family home as loving and supportive, but far from affluent; money was always tight, and his parents scraped by from their month-to-month earnings, living in a small apartment just above his father’s shop. Rakosi would later write that his parents’ concern over their precarious financial situation “locked in and dominated their lives, subsuming their softer, convivial qualities. It locked me in, too. It locked me into a lifelong concern about making a living and affected my personal habits and the way I deal with practical matters.”25Autobiography, 200.
Rakosi’s older brother Lester had something of a tragic life. Born with a spinal deformity that left him with a noticeably hunched back, Lester did not get along well with his parents and did not apply himself well at school, although Carl remembered him as being very intelligent. He eventually learned watchmaking as a trade, like his father, and for many years ran a modest business repairing watches and working for a jewellers in Milwaukee. Lester never married, and died of cancer in July of 1958. He was buried in Spring Hill, a Jewish cemetery in West Milwaukee’s Story Hill neighborhood.
At that time that Carl and Lester were growing up there, Kenosha was mainly populated by people of German and Polish descent, and the economic life of Kenosha was dominated by two factories at opposite ends of town: the Simmons bed factory and the Nash automobile factory, and Rakosi’s first “real” job, as a fourteen year old, was in the spring department at Simmons:
[T]he springs were spread out on some kind of a mat. Then you had to pull the springs tight and connect them to a hook, and you did that constantly, all day long, and your hands would be bloody after a while. There was a tray in front of you with lye, some solution of lye, because lye was probably too strong, but you’d dip your hands in this lye, oh, it would burn like fire. So, you had that experience for three months. It made a deep impression on me.26Oral History, 16.
There was a small Jewish community in Kenosha (Rakosi remembers it consisting of fewer than one hundred people) and an Orthodox synagogue, which the family attended. Carl did have a bar mitzvah upon coming of age, but he described his experience as “very rudimentary,” remembering that he learned just enough Hebrew pronunciation as to be able to perform the expected readings, and almost no meaningful religious instruction.27Oral History, 28.
Kenosha was also the place where Carl ‘became American,’ linguistically, culturally, and officially. On June 25, 1917, around the same time as his earliest work experiences, Leopold and Carl Rakosi were officially naturalized as American citizens by the Kenosha County Circuit Court [along with the rest of his immediate family]. Apart from being keenly aware of his small stature, Carl remembered his teen years as fairly typical for a middle-class Midwesterner:
I was one of them, playing baseball and basketball and soccer and ice hockey, and swimming and roller-skating and ice-skating, flying along in long musical lines, and riding a bike without hands, all my natural medium—my song of summer, turned crystal in winter. I was utterly content and absorbed.
After school I found odd jobs. I washed dishes in an ice-cream parlor, I did menial chores in a barbershop, things like that. … I was in fact an all-American boy.28Autobiography, 200
In addition to his sporting and social interests, one of the most important influences on Rakosi’s adolescent development was his discovery of Kenosha’s Gilbert M. Simmons Memorial Library, an attractive public library housed in a spacious neoclassical building designed by the Chicago architect Daniel Hudson Burnham. Though his father had high regard for learning, there were no books in Rakosi home,29”Although my father and stepmother were intelligent and had a high regard for learning (he had a European’s great respect for culture), she was too practical and literal to be interested in more than a newspaper, and his eyes at the end of a day were too tired to be able to read. Thus, there were no books in our home.” (Autobiography, 200). so the discovery of the public library represented an entry into an enormous, majestic new world for the teenaged Carl. In an autobiographical account of his life, Rakosi called the library “my secret home and my secret vice,” and stated that:
I read everything, everything. And I found there the mental universe which suited me, and I discovered its scope and depth and excitement, but I had no one to share this with or the wild nature of my excitement.30Autobiography, 201.
In a 1981 letter to an admiring reader from Kenosha, Rakosi described his memories of the library with great enthusiasm:
What a library that was in my day! What magic! I used to rush there from school, then slow to a genteel walk as I entered the vestibule, and slip into the stacks on tiptoe, making myself as small as possible, avoiding at all cost a look at the librarian, for that might make her question my entrance. For I never got over the feeling that there was a mistake somewhere, it couldn’t be that all those marvellous books, row after row, in that dim light, which seemed somehow appropriate to their mysterious contents, were there for me, and that if it were found out what I was doing ….. touching, handling, poring …. , a halt would be put to it. I realized, of course, that the opposite was the case: the librarians positively beamed at the little kid who came out of the stacks with an armful of Nietzsche, Schopenhauer, Max Stirner, Huneker, Dickens, Chekhov, George Eliot. I was their prize habitue, their precocious reader, a living proof that what they were doing was worthwhile. Nevertheless, I never quite got over the feeling that there was something not quite licit about extracting so much out of those books. The City Fathers just didn’t know; so I had to be careful not to betray the secret when I emerged from the magic grotto in the back. But I couldn’t hide the excitement on my face, and it must have been that too which made the librarians beam.31Letter to John Kingsley Shannon, 10.21.81, in UW-Madison Special Collections. Box 2, Folder 31.
Rakosi did most of his reading outside of his home, somewhat surreptitiously, since he had the felt sense that his literary interests would both be ridiculed by other townspeople were they to become public knowledge and misunderstood by his pragmatic, practically-minded parents. Neither of his parents had much interest in literature, and while Rakosi always loved books, his first and deepest affinity was for music, an enthusiasm which he did feel comfortable pursuing openly at home in front of his parents. As children, both he and his brother saved for several months in order to buy a mandolin and instruction manuals so that they could teach themselves to play, and Rakosi asserted late in life that “If we had lived in a big city, and if my folks could have afforded it, I would have become a musician and a composer rather than a poet. To this day music means at least as much to me as poetry.”32Bird, Oral History, 18 The origins of Rakosi’s identification as anything more than just a reader of literature were in high senior year of high school, when he wrote an essay on English Victorian poet and novelist George Meredith. He would later recall: “To my wonderment the teacher wrote back a long enthusiastic response as to an intellectual equal, with comment after comment indicating that she respected my literary mind. That is how I learned that I had one and that I could express it.”33Autobiography, 201. In later accounts of his life, Rakosi would consistently credit this experience as the first significant one in the formation of his desire to become a writer.
For example, while compiling notes in response to questions about his writing life from Marty Rosenblum, who was then writing his dissertation on Rakosi’s poetry, Rakosi made the following handwritten sketch of “Major formative events in my life”:
1a. My English teacher in last yr. in h.s.
b. Discovery of public library in Kenosha
2. My writing associates at U of C[hicago] & U of Wisc[onsin]
3. My appearance in Little Review & The Exile
4. The Depression and my Leftist involvement
my marriage & cli[nical] resp[onsibilitie]s.
5. My total entry into soc[ial] w[ork] & psychotherapy
6. Andrew Crozier’s letter & my re-entry into writing
How small this seems for a whole life, yet to Marty seemed extraordinary & fascinating34Carl Rakosi collection, Mandeville Special Collections, UCSD, MSS 355, Box 4, Folder 4.
In 1920, following his graduation at age 16 from Kenosha High School near the upper third of his graduating class, Rakosi enrolled at the University of Chicago. The transition from life as a teenager in Kenosha to life on the campus of a prestigious private university in a city of nearly three million people was mixed for Rakosi, presenting opportunities and experiences that were awesome, daunting, and intimidating. Near the end of his life, he described some of the more memorable parts of this transition:
I’m sixteen years old, and I go to Chicago, which is … a working-class, Middle Western city, very industrial in its character, but the campus there puts you into a different world. The campus—the architecture, the buildings are modeled after either Cambridge or Oxford, I don’t know which. They are almost like cathedrals, semi-Gothic. It was my first exposure to that. I was overawed. I used to hang around the International House there, and that was a fascinating place to be. To my amazement—you know that I come from Kenosha, I am sixteen years old. I had never met graduate students from India before, from all over the world. They came to the International House. There was great talk there.35Bird, 189.
In his first quarter, Rakosi took courses in elementary French, intermediate German, and rhetoric and composition. In the winter quarter, Rakosi took a course in early Medieval European history, elementary German composition, and an introductory English literature course taught by Robert Morss Lovett, a very well known writer and scholar who had served as the dean of the junior college for more than a decade. It was in Lovett’s course that Rakosi first began to write poetry, and described himself as being immediately influenced by two of his fellow students, one of whom, George Schuyler, “who wrote poems in a style like Rudyard Kipling’s, very robust,” would later go on to be a prominent African-American journalist, and the other of whom was an older Japanese man who “wrote quite short poems in the style of a haiku”.36Oral History, 21 Rakosi would later recall “like the invisible way I had learned English, one day I was a reader of literature and the next day, there was the knowledge, as if it had always been there, that I wanted to be a writer and that I could best express myself in poetry, not prose. It happened in this class [the course he took from Lovett].”37Autobiography, 202. In a 2002 interview, he remembered that it was at this time that he first “knew without any reasoning it out in any way that I was going to be a poet–that my calling would be that of a poet”.38Oral History, 21.
While he enjoyed his studies, Rakosi struggled to make friends, in part due to his age and in part because he lived in a dormitory on campus, which quickly became a social desert after classes were concluded. He told an interviewer that “I was too lonesome in Chicago. I had no friends and the students never hung around on the campus after class. I couldn’t meet friends; there was nobody there. So I transferred to Madison, because I don’t think that I had to pay any fee in Madison at that time. … At that time, I think that Wisconsin was the most progressive university in the country, and the most progressive in their ideas about education.”39Oral History, 22-23.
In April 1921, Rakosi left the University of Chicago and transferred to the University of Wisconsin-Madison, where he enrolled in summer school and was admitted as a full time student beginning in Fall 1921. In contrast to his experience of the imposing intellectual environment at Chicago, he found his peers at Madison to be quite different, recalling that
There’s nothing awesome about the campus there. On the contrary. The student body were mostly kids from the farms in Wisconsin. … I didn’t feel that the students in Madison at that time were real students. They were there because they could afford to go to college, but they were primarily interested in girls–the men–and similarly, I suppose, the girls in men. … They were interested in anything but studies and learning.40Bird, 189-190.
Rakosi did not feel that he fit particularly well with the general student body at this time, writing:
Madison in those days was a very clean, respectable small town of one-family homes with well-kept lawns. The University had some ten thousand students, mostly from Wisconsin farms and small towns, blond young Babbitts of North European stock, their hair cropped close. It was a place for youth fed on fresh country milk and Iowa corn where time was suspended and they looked each other over and saw that they were comely, and flirted and horsed around, and the big events were football and the Big Ten pennant ahead. And standing guard was a smugness hard to imagine these days, although Nancy Reagan comes pretty close to it.
Entered I, poor little Jewish boy, stewing in an inner life, sensitive, mystical, with Tolstoyan idealism and Nietzschian yearnings, feeling as if I had been branded by a stigma.41”Scenes from My Life” in Collected Prose, 90
While Rakosi didn’t see himself reflected very well in the broader student body or university culture in Madison, there were a few social factors which helped him to achieve a much higher degree of integration than he had enjoyed at Chicago. The first of these was a change to his living situation. Whereas he had lived in a university dormitory in Chicago, in Madison he moved in with two older undergraduates which he had known from the Jewish community in Kenosha who were already renting rooms. He and his roommates took their meals with a young Jewish widow with several small children, whose home cooking and convivial hospitality did much to put Rakosi at ease and help him begin to feel that he arrived in a more socially comfortable situation.42He wrote in an autobiographical account of his life: “As soon as we sat down to her table and saw spread out before us all the dishes heaped high, steaming hot from the kitchen, and rich spicy smells all around, like at home, we unwound and started jabbering away, joking and bantering and laughing, and she stood by our chairs with a big smile, as if entranced, and took in every word, laughing hard along with us and making herself a part of us without intruding. How she enjoyed seeing us eat heartily! And when the food ran out, how happily she ran into the kitchen for more. The place had the jovial spirit of Dickens when she was there, and the warm, giving spirit of a genial mother who knew how to keep hands off. How much she gave us! And how uncertain her own future was” (Autobiography, 202).
Second, the University of Wisconsin at Madison was at that time actively developing its growing reputation as a leader in progressive principles of education, which both appealed to and shaped Rakosi’s political idealism. While he may have expressed contempt for many of his fellow undergraduates, he had great respect for many of the professors then teaching there, and he took courses from such luminaries as William Ellery Leonard, then one of the region’s most prominent poets and scholars, who had developed an English course which he was using to teach what would now be called creative writing; the philosopher Max Carl Otto; and the sociologist E.A. Ross.
Most importantly for Rakosi, however, was the continued development of his identity as a writer and the formation of deep friendships with other students there in Madison that shared many of his literary commitments and ambitions. Rakosi’s deepest friendships in Madison were with Leon Serabian [Herald] (an Armenian immigrant and part-time student), Kenneth Fearing (with whom he lived as a roommate), and Margery Latimer (he appears in This is My Body, her 1930 roman à clef as Schevel Pukalski, a young, ambitious, uncompromising modern poet, whose ideals and harshness put him at odds with his more conventional literary peers), each of whom would go on to achieve some measure of literary success. He was also acquainted with Horace Gregory and Marya Zaturenska, both of whom lived in Madison at that time, relationships which he describes in greater detail in “Scenes from My Life,” a brief biographical essay collected in Carl Rakosi: Man and Poet.43Also in Collected Prose (the college friendship section occurs pp. 88-104) Although he was strongly attracted to philosophy and sociology, Rakosi ultimately decided to major in English, and, along with Fearing and Latimer, served as an editor of The Wisconsin Literary Magazine, a student publication where Rakosi’s first published poems appeared.
In many ways, Rakosi must certainly cut something of a strange figure in Madison during those years, not only by dint of his age and family background, but also because of his personality. In a Wisconsin Alumni magazine published in March 1967, a classmate of Fearing, Latimer, and Rakosi’s remembered Rakosi as “a little fellow with an intense manner and tragic eyes, whose soulful verse appeared in the Literary Magazine,” and related a humorous story in which Rakosi comes off as sweet but otherworldly 44Wisconsin Alumni Magazine, 22. Latimer’s portrayal of Rakosi in This is My Body likewise marks him as eccentric, at least when compared with his peers. In his first appearance in the novel, Schevel Pukalski (Rakosi’s likeness) is described like this:
She recognized a boy from her English class. He was Schevel Pukalski. She had seen him showing Mr. Beers a book of his poems one day. When he left the room he had clapped his hand over his forehead and hurried stiffly down the hall. He always had an anguished pucker between his brows and his red mouth was drawn up as if it hurt him. Now he sat looking at his knees.
“Mr. Pukalski,” said one of the girls on the couch, “I just loved that poem you read in class the other day.”
He looked at her coldly. “You women certainly have a limited vocabulary.”
They began giggling. The springs of the couch screeched as the girls flounced about, making themselves comfortable.
“No, I mean it. Everything is always lovely and adorable and grand and just lovely.” He held his mouth open for a minute, his red lips scornful. “I should think before you even try to write you’d learn words with meaning and strength to them.”
[Another student reads a poem and shares some fawning praise he claims to have received from a “professor in a southern college.”]
“Say, cut out that crap!” cried Schevel. He clapped his hands over his ears. “It’s bad enough to listen to those cliches in the classroom. Had I better read now?” he asked stonily. He opened his papers. The poem was short and full of odd words and sensations. The silence he received was terrible. He looked around at them, his chin held high. “Of course you don’t understand,” he said proudly. “But I am like Yeats. Absolutely without compromise.” He opened “Thus Spake Zarathustra” and began reading.
“Cut it out, Pukalski,” said one of the men; but he went on in low throaty tones.45This is My Body, 162-165
Later in the book, Latimer describes fierce resistance to Pukalski’s being elected as an editor of a student literary journal and describes the savage dismissal of a Pukalski-submitted poem when it is read among a group of student editors. In the conversation, Pukalski is dismissed as “nothing but a child” who says “embarrasing things in class about Wordsworth and these new poets … being as good or better … than the old ones” (203), and is defended only by the characters representing Latimer and Fearing. She also describes Pukalski’s ambitious desire to get his work published, to start his own magazine, and to hold onto his self-belief and idealism, in the face of Fearing’s world-weary cynicism as well as public humiliation from an English professor (probably based on Leonard) who interrupts his reading of an essay in class to make several disparaging remarks.
Despite the sometimes awkward fit between this young, idealistic poet of Hungarian Jewish descent and the broader Babbitesque environs at Madison, Rakosi did earn his B.A. in 1924. Following his graduation, like any number of English majors before and since, Rakosi began almost immediately to worry about his job prospects. As he recalled to Tom Delany and Olivier Broussard in 2001:
I had given no thought to how I was going to make a living, so as graduation approached, I was in a panic. I had to return to Kenosha and wait for something to turn up and to my great surprise, something did. In my desperation it seemed like a miracle. I came across an announcement that the American Association of Social Workers was interviewing applicants in Chicago for work-study positions. At that time there were almost no men in the field and they were especially interested in recruiting men. I didn’t have the slightest idea what social work was then, but it didn’t matter. I could now make a living and I leaped at the chance and they accepted me very cordially and with great warmth in Chicago.46http://jacketmagazine.com/25/rak-devan.html
His interview in Chicago led to his taking a job shortly thereafter as a social worker-in-training with Family Service, a family counseling agency that worked to train social workers in conjunction the with Case Western Reserve University in Cleveland, Ohio. In Cleveland he met and began dating Mary Nagy [Biggs], his first serious relationship. Of this period of his life, would later recall:
The Associated Charities needed a trainee right away, so I moved at once to Cleveland. This was 1924, before a professional postgraduate curriculum and faculty for social work had been developed in universities. One was just starting at Western Reserve in conjunction with the Associated Charities. Members of the agency’s supervisory staff taught courses in theory part of the time and supervised and helped the trainees with their cases the rest of the time. The trainee was paid a modest salary. I found the courses rather dull but immediately became deeply involved with my clients, more deeply and disinterestedly than I had ever been involved with anyone before. And I discovered in myself a great urge to listen deeply to their distress, to understand it, my whole attention in it, and be helpful. In this I discovered a great excitement and a gay self-fulfillment unknown to me before.47Autobiography, 205.
Rakosi would later recall:
I remember as clearly as if it happened yesterday, my first client. It was in a poor neighborhood, I rang the doorbell of his house, and somebody yelled from upstairs, “Come on up.” So, I walk upstairs and I find a black man lying in bed. He had things rigged up so he could open the door, by pushing a button—that sort of thing—and I started to deal with his problems and his situation and I got hooked. I knew then that that was going to be my profession, that there was a deep impulse in me to be helpful to people in need. There was something fulfilling in doing that.48Oral History, 44.
Although Rakosi quickly fell in love with the work and with his clients, he still thought of himself primarily as a poet, and began at this time to feel a strong conflict between his writing impulse and the powerful psychic and emotional demands of social work, a conflict which would dominate his life for at least the next decade. Feeling restless in Cleveland, and believing that New York City would be both more exciting and provide him with more time and opportunity for his writing, Rakosi quit his job in Cleveland within a year and moved to New York in late 1924/early 1925. This decision was a very difficult one for him, as he had formed deep attachments both with Mary Nagy and with the social work he had been doing. He and Nagy/Biggs would correspond for another two years before ending their relationship.
Shortly after his arrival in New York City, Rakosi experienced his first real literary success, one to which Margery Latimer was integral. Upon his move to New York City, Latimer had encouraged Rakosi to visit Jane Heap, the famed editor of The Little Review, at her Greenwich Village home office. Like many aspiring writers of his generation, Rakosi was somewhat in awe of Heap’s magazine, which not many years before had serially published James Joyce’s Ulysses to great controversy, and was then publishing writers like W.B. Yeats, Ezra Pound, and T.S. Eliot. Rakosi did, however, summon up the courage to visit Heap, and when she invited him into her home office, he presented her with a manuscript of his poems. She agreed to publish them on first sight, printing three of Rakosi’s poems: “Sittingroom by Patinka,” “The January of a Gnat,” and “Flora and the Ogre,” in the Spring 1925 issue of The Little Review.49Rakosi describes this meeting in some detail in “Scenes from My Life” in his Collected Prose, 90. Rakosi was elated, later describing his publication in Heap’s magazine as “one of the great moments of my life. To get into the Little Review was the achievement.”50Oral History, 31.
CHOOSING A CAREER
Restless, young, and eager for adventure, Rakosi became briefly obsessed with going to sea. Enlisting Kenneth Fearing’s help in forging a document of prior service so that it would look like he had previous experience in the merchant marine, Rakosi was taken aboard a merchant ship carrying cargo to Australia as a messboy in 1925 [possibly January 1928? date?]. The hard work and strict class structure of life aboard a merchant ship quickly stripped him of any romantic illusions he may have been harboring regarding the seafaring life, and following his return to New York City [did he ever leave port?], he took a job as a boys’ counselor with The Jewish Board of Guardians, a treatment center for psychologically disturbed and delinquent boys. He shared an office at this time with Harmon S. [“Sol” or “Sollie”] Ephron, who would go on to become one of the founders of the Association of Advancement of Psychoanalysis and the American Institute for Psychoanalysis. The two men became close friends, corresponding regularly until Ephron’s death in 1992, and Ephron’s wife Judith would later be instrumental in helping Rakosi find work upon his return to New York City in 1935.
Rakosi did write poetry while in New York, but continued to keenly feel the conflicting demands on his time and energy made by his art and professional social work. He would later describe the job as “too much of a good thing, too absorbing, too demanding, too rigorous. It was making it hard for me write.”51Autobiography, 205. Still harboring the desire to become a poet, Rakosi would later write that “in desperation” he decided to try pursuing a career that he found less exciting, “like teaching or industrial psychology.”
After less than a year in the city, Rakosi returned to Madison, enrolling in a master’s degree program in industrial psychology (then being offered by the Education department) at the University of Wisconsin in the fall of 1925. Having reached the age of majority less than a year previously, he changed his name legally to Callman Rawley on August 7, 1925. On the application itself, where the form asked for the “Object and purpose of alteration or change of name,” Rakosi wrote “Being an American citizen, I desire to have an Americanized name, also because my present name has been subject to frequent misspelling, and that in the professional world, I have found my present name of considerable handicap.” Rakosi’s motives for this change were various; but it seems that, just as his father and uncle had done, he saw professional advantages in removing a marker of Jewishness or foreignness in a society prejudiced against both Jews and certain kinds of foreigners, and that further, he wished to continue writing but did not want his professional associates to know of this other identity.52In his published autobiography he says “For one thing, Rakosi was forever being mispronounced and misspelled, but the main reason was that I didn’t think anyone with a foreign name would be hired, the atmosphere was such in English departments in those days. I kept Rakosi as my pen name, however, and no one who knew me as one, knew me as the other. This suited my purpose, as I didn’t want professional colleagues to know that I was a writer. It was not just that I wanted to keep that private: I thought it would color and contaminate their perception of my understanding and practice of the profession.” (Autobiography, 205-206) With this change, Rakosi began the bifurcation of his identity, preserving Carl Rakosi as a private, literary self, and embarking on a public, professional career in the persona of Callman Rawley. Though most who would meet him over the next 45 years would know him as Callman Rawley, and his children would take the Rawley surname, he would tell an interviewer near the end of his life: “I have much more attachment to Rakosi, because it was really my family name, and it’s my literary self.”53Oral History, 14
While in Madison for graduate school, Rakosi founded and edited The Issue: A Forum of Student Opinion[bb], a short-lived satirical magazine with Alexander Schindler, a Swiss colleague who would later became a prominent doctor. During his first semester of graduate school, “The Holy Bonds,” a short poem about marriage, was published in the December 23, 1925 issue of The Nation, but apart from these efforts, much of his time was consumed by his course work and professionalization efforts.
During the Fall 1925 and Winter 1926 semesters, Rawley completed a number of graduate courses in education and psychology, earning his masters of arts degree at the end of the Spring 1926 semester.
Upon completion of his master’s degree, Rawley took a job as a psychologist in the personnel department of the Milwaukee Electric, Railway & Light Company. The position entailed using physical equipment to test motormen’s responses to simulated experiences and to form psychological profiles of these employees based on their performance. He later recalled
The director of that program was an older man already in his sixties, quite a gentleman. He had built up a safety testing program for the streetcar company, which he had developed himself, a system in which there was the interior of a streetcar with a motorman and a screen on which images would be flashed, and the motorman would be expected to react to a sudden turn or sudden stop, and his reaction time would be measured, and his efficiency would be noted. It was a safety kind of instrument device. I didn’t have anything to do with the creation of that, but I operated the thing with motormen.54Bird, 193.
Though he had intended to to pursue a “less exciting” career in order to give him the time and energy to devote to writing, he appears to have been a little too successful in this position. Though he found Milwaukee “a pleasant place to be,” He found the work “deadly dull,” and left within a year to take a job as a psychologist in the personnel department of Bloomingdale’s department store in New York City. After the store experienced poor sales over the 1926 holiday season, he was fired (along with the superintendent who had hired him), and in 1927 he returned to social work, becoming a family counselor with the Massachusetts Society for the Prevention of Cruelty to Children in Boston.
Upon moving to Boston, Rakosi took an apartment with three roommates, first living near the Massachusetts State House, and then briefly renting an apartment on Commonwealth Avenue before the building was sold to investors. Rakosi enjoyed the city, recalling that “Boston was so different from the Middle West. It had so much history; it was almost like going to Europe.”55Bird, 194.
The nature of his work as a social worker with children who had often been severely neglected or abused there meant that he had a close connection to the juvenile court there. Although he encountered a number of families in particularly dire situations and regularly worked on behalf of children living in great precariousness, Rakosi was particularly impressed with the humaneness and decency of the judge who presided over the court, a patrician gentleman from one of the old Boston families:
What I remember about my social work experience in Boston was the dignity of the juvenile court process, and really there was a certain decency about it that was quite wonderful, but it all emanated from the judge. I had great respect for the judge and the workings of the court. … I loved the way he looked and how he presided over the court with the children. He was really a benevolent, fatherly figure, but not a pushover, not soft. He relied on the judgment of the social workers on what to do in these cases.56Bird, 194, 124.
Though he enjoyed this job immensely, Rawley still felt enormous conflict about his desire to have more time and leisure for writing. Having tried industrial psychology and found it not to his satisfaction, and finding social work too engrossing to afford the time and energy he needed for writing, he turned to his fallback plan of university teaching, hoping that it would be more conducive to his writerly ambitions.
In the fall of 1928, Rawley enrolled in the English Ph.D. program at the University of Texas at Austin where he was assigned to teach freshman composition to engineering students from November 1928 through the end of the summer session in 1929. It did not go well. “You can’t teach literature to engineers,” Rakosi would later complain, “their imagination was made out of wood.”57Bird, 194. To make matters worse, Rakosi found the English department at Texas to be an “awful, a sickening, sycophantic atmosphere. Death would be preferable.”58Source needed. UCSD? He would later explain:
The work was easier, all right, and there was time for my writing, but now it was the young prigs in the department I couldn’t stand. They acted as if they had brought Oxford to Austin, and unlike young professors these days, were so affected and British high-toned that I felt nauseated and was faced with having to spend the rest of my life with clones. I could see too that what I would be doing as a professor would be so specialized and of so little value except in English departments that I would be like Tom in the old English joke:
“What are you doing. Jack?”
“And what are you doing, Tom?”
“I’m busy helping him.”59Autobiography, 207.
Dismayed by his experience in the literature department, Rawley enrolled in law school, where he enjoyed the curriculum, but was “scared off by the fierce competitiveness and boundless verbal fluency [required] at a moment’s notice, and again I quit.”[bi] Still hopeful about the prospects of conducting a writer’s life while working as a teacher, Rawley took a job as an English teacher in San Jacinto High School in Houston, working evenings at the Rusk Settlement House as a group worker with Mexican immigrants. Though he loved his evening job, he quickly found that “the heavy teaching load and the disciplinary problems in my classes bec[a]me a nightmare. By this time I am sure that what I would like to do best of all, where I would have most control of my time, would be psychiatry. So during the summer vacations I return[ed] to the University in Austin to study the pre-medical sciences.”[bj]
It also appears that though he had already left off teaching high school by this time, Rakosi had fulfilled all the legal requirements and received his certification as a permanent high school teacher in the state of Texas in July 1931, entitling him to teach in all grades of Texas’ public schools for as long as he liked.
RAKOSI AND ZUKOFSKY
Even as Callman Rawley wandered from job to job, exploring various graduate programs, Carl Rakosi continued to write and sporadically publish poems. It was while he was teaching high school English in Houston in the winter of 1930, in fact, that he received a letter from Louis Zukofsky, introducing himself and soliciting poems for a forthcoming issue of Poetry magazine on the recommendation of Ezra Pound. Zukofsky’s letter could not have arrived at a better time for floundering Rakosi.
I had a job teaching English literature to high school seniors in Houston. What I thought would be a relatively easy, mild experience turned out to have a monstrous work load, and I loathed the students’ lack of interest and cutting up in class and the fixed Victorian course of study from which one was not allowed to deviate. Zukofsky’s letter came when I was in despair. I had tried every occupation I could think of in which I could make a living and still have time and mental energy to write without success. There was no place else to go. It seemed like the end of the line.[bk]
Zukofsky and Pound had been corresponding for some time, with Pound consistently urging Zukofsky to organize a group or movement of young, like-minded American poets. While Zukofsky had shown much less enthusiasm (or entrepreneurial skill) for movement building than Pound had, Pound had cajoled Harriet Monroe into giving an issue of her Poetry magazine over to Zukofsky in order to present his new ‘movement.’ Though Pound had never met Rakosi in person, he had published some of Rakosi’s poems in his short-lived magazine The Exile. Consequently, though he had no recent news on the Rakosi’s whereabouts, Pound duly forwarded on to Zukofsky what information he did have, stale though it may have been, along with a warning that Rakosi “may be dead,” as he had sounded deeply depressed in their last contact some years prior [in Pound/Zukofsky].[bl]
Rakosi, though depressed, was decidedly not dead, and he and Zukofsky quickly established a warm epistolary friendship, with each likely feeling supported and encouraged by the other. Rakosi responded warmly to Zukofsky’s initial letter, ultimately sending Zukofsky four of his poems: “Orphean Lost,” “Fluteplayers from Finmarken,” “Unswerving Marine,” and “Before You,” for inclusion in the OBJECTIVISTS issue of Poetry which Zukofsky was preparing. Zukofsky used these poems to open the issue, presenting them just before a selection from his own “A-7”. Zukofsky also included nine sections of Rakosi’s “A Journey Away” and the short poem “Parades” in his “An ‘Objectivists’ Anthology,” published in 1932, and the two men continued what Rakosi characterized as “a long, intensive correspondence on questions of poetics, mostly having to do with my own work,” for the next several years and had regular social contact from 1935 to 1940 when both men lived in New York City.60”Scenes from My Life” in Collected Prose, 107 Of the other “Objectivists,” Rakosi had little to no contact until the 1960s and 1970s.61Rakosi writes penetratingly of his relationship with Zukofsky and his relationship to the label “Objectivist” in “Scenes from My Life” in Collected Prose, 104-108
Though Zukofsky’s letters and the promise of publication in Poetry provided some much needed encouragement to his flagging poetic ambitions, Rakosi was still in search of a meaningful career. In a 1983 letter to André Lefevere, who was then just about to take a teaching position at the University of Texas, Rakosi recalled his impressions of Texas and his general feelings about this time of his life:
I lived in Austin during the 1930s. It was then a city of about 50,000, very pleasant, with girls whose beauty used to drive me wild. There were not many blacks in Texas then but an unknown number, well over a million, of Mexicans, who were treated with contempt. I could never understand it because these mostly illiterate, very poor laborers had far more natural dignity and integrity than the Texans. I was a teaching assistant in the English Department then but that didn’t last long. I couldn’t stand the Anglophile affectations, the jostling for power, the sycophancy and the covert throat-cutting and got out before it was too late. Switched to medicine, which I studied at the Medical School in Galveston but had to give up eventually when my money ran out.62Letter to Andre and Pat Lefevere, 12.20.83, UW-Madison, Box 2, Folder 30
As his letter to Lefevere indicates, after a few years of teaching and taking pre-medical courses part-time, Rawley moved to Galveston in 1931 to to study medicine at the University of Texas Medical School. Once again, Rawley enjoyed his course work and performed well academically (he felt particular pride in his having received A’s in each of his anatomy courses despite such squeamishness that he could never bear to perform the dissections himself), but felt deeply alienated from his fellow students, whom he described as “cultural dunderheads simpletons from the sticks, with no interests but getting through the medical school.”[bp] [At every turn, it seems, Rawley felt frustrated by finding a group of students more interested by items in their field of study, than outside of it. Not surprising to those of us who assume that people are going to school because they’re interested in the field they’re studying, but for Rakosi, who was continually educating himself in search of a side career which could subsidize his true (though non-paying) vocation, that of a poet, this is perhaps unsurprising.] In addition to his social isolation, Rawley began to run out of money to continue his studies, and since at that time the medical school had no financial loan programs for needy students, he gave up his study of psychiatry in 1932 and rode back north to Chicago on freight cars, traveling with a friend he had made at the University of Texas, “partly for the experience, partly to save money.”63Autobiography, 207. Rakosi describes his experience riding the rails in some detail in his interview with Kimberly Bird (Oral History, 67-68, 214).
BEGINNING A CAREER IN SOCIAL WORK
After leaving his study of psychiatry and riding the rails from Galveston to Chicago in 1932, Rawley returned to the field of social work, where he would remain employed for the duration of his professional life. His first job upon arriving in Chicago was as a social worker providing services to the elder for Cook County Department of Public Welfare. He also took graduate social work courses at the University of Chicago.
In 1933, particularly concerned with unemployment and the plight of migrant laborers, Rawley applied for and received a job in New Orleans as a Director of Social Services in the new Federal Transient Bureau. His introduction to the different culture of the “Big Easy” began as early as his initial train ride to the city from Chicago:
I take the train in Chicago, in a twenty degree temperature, and I wind up in New Orleans, and it is about eighty-five, ninety degrees hot, so in that short time, it was a hundred-degree change. I’m young, I feel great. I pick up two women on the train who are from New Orleans. New Orleans then was a very fast town. By fast I mean, fast women. Sexual mores, very fast. Drinking, not in any repulsive way, it is almost like a different civilization down there. Talk about contrast, New Orleans was the place to be if you were young. So the first thing we do, the three of us, is go out to the racetrack. Apparently, they love to bet on the horses there. So, my first experience in New Orleans was at a racetrack, even before I settle in. I had never bet on horses before. I had never seen a horse race before, in fact. I go to the cashier to make my bet, and by the time I get back, the race is all over, and I hadn’t even had a chance to see the horses run.64Oral History, 195.
Upon arriving in New Orleans, he lived in a small apartment on Bourbon Street, and threw himself both into his work and the rich social life available to a young, unmarried white professional at that time. He described the job in an interview with Kimberly Bird:
What was happening was that there was no work for anybody and the men couldn’t stand just sitting around at home without working, so they used to ride the freight cars to different cities. … There were maybe as many as a million men traveling on freight cars from city to city and it was demoralizing. They were demoralized. By the time they got to New Orleans when I was there, none of them really thought they could get work. They were demoralized, unshaven, they had lice, and the government had set up a kind of a camp for them. Well, it wasn’t really a camp. It was a facility, let’s say, on the other side of a river there. They were all sent there first to be deloused, to get a bath, probably to shave, and then they were sent into the city where our offices were, to talk and to get help from social workers. At that time, I was director of casework for the bureau. Actually, the job was too big for the staff. There weren’t nearly enough trained social workers to treat them all. So, I was fully trained by that time, but the people that came to work for us as social workers simply had a BA, it could be in any subject. The government was desperate to have a staff in place. You wound up with—I remember some of the staff members needed help themselves.65Oral History, 42-43.
After a year in this job, Rawley was invited to join the faculty at the Graduate School of Social Work at Tulane University, which was just beginning its program in social work (at that time it was one of only two in the whole country, along with Case Western Reserve University in Cleveland) and he both taught courses in case work there for a year and enrolled in a number of additional social work courses at the school himself.
Still restless, however, Rawley decided to return to New York City in 1935, and took an apartment on West 69th Street, near Broadway, just above a restaurant called Fleur du Lys, where he met and had occasional conversations with the composer Aaron Copland, who was then teaching at the New School for Social Research. With help from Judith Ephron, the wife of his old friend H.S. Ephron, he secured a position with the Jewish Family Service, a family counseling agency. Rawley remained in this job for five years, by far his longest stint to date in one position.
The culture at the Jewish Family Service at the time was characterized not only by a strong commitment to Freudian psychological principles, but by a widespread concern with improving the methodology of their practice and intensive, voluntary professional development, the latter two of which appealed very strongly to the restless and inveterately curious Rawley. One of his coworkers, M. Robert Gomberg, began pioneering the practice of family therapy at this time, and Rawley recalled that “there were three of us in that office who’d … stay after hours to make the most detailed recording of everything that happened during an interview, and then examine it afterwards and talk about it.”66Bird, 195. It was in this exciting atmosphere defined by an open quest for professional excellence that Rawley spent a brief internship in psychotherapy at the Lebanon Hospital Mental Health Clinic in the Bronx and underwent psychoanalysis himself for the first time. Most significantly, however, Rawley began yet another graduate program, commuting twice a week to Philadelphia for several years to pursue a Master’s degree in Social Work at the University of Pennsylvania, which he eventually earned the degree in 1940.[bv]
While the Jewish Family Service had been dominated by Freudians, the social work program at Pennsylvania was directed at that time by Jessie Taft and Virginia Robertson, both of whom had been strongly influenced by the psychologist Otto Rank. Rawley trusted and admired Taft and Robertson a great deal, and became dedicated for the rest of his career to Rankian rather than Freudian principles, particularly in regards to his own psychotherapeutic practice. For Rawley, respect for the capabilities and autonomy of the patient were Rank’s great contribution to the field, and they formed the bedrock of his own orientation to the field, as seen these remarks from an interview in which he elaborated on his view of the two schools of thought:
Rank differed fundamentally from Freud. Rank himself had been a poet to start with, and had then studied philosophy and joined the circle that Freud had in Vienna … Rank was then the secretary of the Viennese Psychoanalytic Institute. Eventually, it struck him that Freud was wrong—that that was just a theory that Freud had— that if you are going to really help people, change them, you have to adopt a totally different way to do it. Freud’s method essentially was to figure out what the problem was, and then tell the patient what the problem was, and that that would cure him. Rank thought, “That’s all wrong.” Rank’s method essentially was not to become theoretical at all, but to start with the patient’s problem as he saw it to begin with, and then let him try to work out the solution himself—to see that what he had been doing was counterproductive, it was getting him into trouble. It was making him anxious and so on. That was my method too when I was doing psychotherapy, and it works.67Oral History, 47.
The other major event to take place during this stint in New York City was Rawley’s associated with the U.S. Communist Party, though his association with the Party has sometimes been misunderstood or overemphasized by critics. Already inclined to socialism (in part thanks to his father’s sympathies), Rawley’s experiences as a social worker during these bleak years in America drew him eventually into association with and membership in the Communist Party, and while he quickly left the Party, he retained a basic sympathy for Marxist-inspired socialist principles throughout his life.68In 2002, he told Kimberly Bird: “I’ve always been a Marxist. the idea of communism is noble. There’s nothing wrong with the idea. It’s just that the kind of Marxists who became leaders just took advantage of it and corrupted it” (Oral History, 57).
Recalling his actions more than 50 years later in a letter, Rakosi wrote “I became convinced along with millions of others that Capitalism had failed, was finished, that the only remedy was some form of socialism. The suffering of people was so great that we were all swept along in a mass movement of such extraordinarily imperative moral urgency that it subsumed our critical faculties.”69Carl Rakosi papers, Mandeville Special Collections, UCSD, MSS 355, Box 4, Folder 4. In an autobiographical account of his life published in the same year he wrote:
I had become convinced by 1935 that capitalism was incapable of providing jobs and justice to people and that the system had to be changed, that there was no other way. Normally, this would have remained in my mind as just an idea, but I was seeing a lot of Leon [Serabian] Herald, my old friend, then. He was a starry-eyed Communist from way back, and prodded and cajoled me until I ventured in, hesitantly. I found the best minds in my agency already in. After a couple of years, however, I stopped going to meetings, and that ended it. Nobody noticed because all I had ever done was listen, and march occasionally on picket lines with people I didn’t know, and cheer and feel uplifted at mass rallies.70Autobiography, 208.
In his letter to Eliot Weinberger, Rakosi also recalled that once he had joined the party, he
found its mission was to march in May Day parades and protest marches of all kinds. I did do this and found it exhilarating. At last I was doing something useful, no matter how small. Occasionally someone from the Central Committee …. I’m not sure of the name … would come in and expound the Party line, which was made necessary because the Soviet Union kept changing its policies. These were guys who talked in the inexpressibly dry language of Higher Theory, always so sure of what they were saying that to question them … actually very few had the nerve to do it … was to put yourself immediately on the spot, either as a dumbbell or a secret enemy. They would accept questions about what they meant but not challenges. That was the underlying assumption … apart of the atmosphere. These expounders of Higher Theory (Communist theory, of course) left a dead pall on everybody’s spirits. Where did they come from? And where did they go when the left us? etc. At the same time I have to add that the day to day members of the Party whom I came to know were the most intelligent, the most ethical, the most idealistic people around.
After a year I was transferred to a social work cell in the large agency where I was employed [he was then working for Jewish Family Services in New York City]. Our sole mission there, it turned out, was to figure out ways to convert the other social workers to the Communist mission. This was interesting for a while, like a game in psychology, but for a good cause. But after a while I realized that I was not that committed to the task and simply stopped coming to meetings. Nobody noticed that I was gone, maybe because I had relapsed into my writing self, an observer, a listener.71Originally published in Exquisite Corpse 58?, included in Thus Spake the Corpse : An Exquisite Corpse Reader 1988-1998: Volume 1, Poetry & Essays. Rakosi gives a similar account of this time in his life in his 2002 oral history interview with Kimberly Bird: “In those days some of the Communists were organized according to where they worked and some according to where they lived. [Leon Serabian Herald] belonged to a street area group. He kept talking to me about, “Why don’t you join the Party?” Well, he finally persuaded me, but I was also persuaded by my curiosity as to what it was like to be an actual member of the Party. I was very curious. So, I decided to join. Well, the Party wouldn’t take just anybody. You had to be recommended by a Party member, so Leon recommended me enthusiastically [laughter] to become a member. However, I didn’t join the street Communists, I joined the workplace Communists. They were called cells. I was astonished to find that the members of my cell, which was the social agency I was working in, were really the brightest, the most sensitive, the most perceptive people in the agency. … So, what happens at meetings, well, they had to do entirely with how to influence the minds of the other workers, to make them knowledgeable about communism and want to join. I think I was in it for two years. After a while, I realized, “I’m not really interested in changing other people’s minds.” Finally I decided, “No, I’m just not going to do it.” I remember that speakers would come in from the central committee of the Party and speak to us. They were like creatures from Mars. They weren’t like us at all. I was repelled also by the strict dogmatic party line that they were there to teach us. So, I left the party (Oral History, 56)
In addition to attending local party meetings, Rakosi also attended Camp Unity, a left-wing summer camp for adults in Wingdale, New York, but later claimed that he enjoyed the camp primarily because he “was single and young then” and “I used to go there and meet the most beautiful young women …They were lovely looking, very bright young women and social-minded—really the best kind of people.”72Oral History, 62-63. He also told Kimberly Bird that his involvement with Camp Unity “may have been the only really bright experience I had in the Party that was really enjoyable in every way”73Oral History, 63.
Apart from deepening his exposure to socially engaged co-workers and beautiful and intelligent women, Rawley’s membership in the Communist Party and interest in 1930s leftist politics in the United States also exerted a significant impact on his poetic identity as Carl Rakosi. In a 1987 letter to Jim Cohn, Rakosi recalled that while The New Masses extended both some measure of power and a place of honor to poets,
the honor was paid only to social realism or to exaltation of the working man. If you didn’t write like that … and I didn’t, I wrote lyrical poetry … you were flayed and boiled alive for pandering to the decadent tastes of the bourgeoisie by the editor, Mike Gold, and his editorial assassins. This happened to Reznikoff, for example. It made me feel there was something wrong with me (and of course with lyric poetry) for not being able to write what was expected of all good men.74Carl Rakosi papers, Mandeville Special Collections, UCSD, MSS 355, Box 4, Folder 4.
Already struggling to reconcile writing poetry with his burgeoning professional life, he was further confounded by the extreme antipathy expressed by Mike Gold and other leading Communist-affiliated writers and editors towards any poetry that might be regarded as merely aesthetic or lyrical. In a 1987 letter to Eliot Weinberger published in Exquisite Corpse, Rakosi wrote:
That poetry was branded bourgeois, the ultimate in scorn at that time, and elitist, which nobody at all sympathetic to The Party wanted to be caught dead with then. So when the attack came against such poetry, the savagery of it stunned its author. The poetry was not simply criticized, it was demolished and to make sure that it registered, the poet himself was demolished. I fell into the black hole because lyric and aesthetic poetry was the only kind I could write, and I wouldn’t write propaganda poetry, so the only thing I could do was to withdraw from the scene. … Had I not myself been divided in my mind, a part of me thinking that New Masses was right, I would have reacted the way I did when William Ellery Leonard … made fun of my poetry in a class [and] … I said to myself “What the hell does he know?” But I couldn’t do that with the Communists. I had too much inner conflict about it and I was too much of an idealist.75Quoted in Thus Spake the Corpse : An Exquisite Corpse Reader 1988-1998: Volume 1, Poetry & Essays.
MARRIAGE TO LEAH JAFFE
Apart from joining the Communist Party and continuing his growth as a social worker and psychotherapist, the other major development in Rawley’s life during these years was his courtship of Leah Jaffe. Born in New York City on November 8, 1910 to Jewish immigrants from Russia, Jaffe was the youngest of three children. Her father had died when she was in her early teens, and she older brother. Leah had been roommates in the city with a woman named Betty Foster, who had married Carl’s close friend Leon Herald Serabian, and the two of them first met at a party hosted by the Serabians. When Rakosi first met her in the mid-1930s, Leah was living and working in the city as an artist’s model.[cb] At the time of their first meeting, Leah was dating a mutual friend, the painter Arthur Gunn, but Rakosi remembered that he:
instantly liked her whole personality–everything about her. She wasn’t as good-looking as the young women that I had been going out with, but she had a wonderful nature. I instantly took to her and we got along wonderfully in conversation. She said, I’m going out with Art … but he’s so neurotic, so wrapped up in his problems that I don’t know, so I said to her, “If you break up with him, let me know.” Well, a few weeks later, she called me, and that was it. So, we moved in together on Fourteenth Street and had an apartment right next to Leon’s and that’s where we lived for a while.76Oral History, 94. He also said of her: “Oh, you never thought of her as rebellious. I don’t know how to describe her. There was a great calmness about her, a maturity. I described her this way once to a friend, that she was the most psychologically wholesome person I have ever met. She had lost her father when she was a teenager. She had just adored him. He must have been a great father. Her mother was kind of a non-figure in the family, so she was more or less on her own, with an older brother George who was a great guy, actually. That whole family was an interesting family. She had one brother called Irving who was an absolutely typical New Yorker: he talked like a New Yorker; he thought like a New Yorker; he was never out of New York City in his life; he was a car salesman; he talked like a car salesman; he didn’t read books. When he learned that I had written books, he went to the library, and my God, there was a book of mine there. He couldn’t get over it. He couldn’t get over the fact that his brother-in-law had written a book.” (94).
Carl and Leah had much in common, sharing an interest in art, music, literature, a commitment to leftist social causes, as well as a fundamental human sympathy. In an interview given several years after her death, Rakosi recalled that “There was a great calmness about her, a maturity. I described her this way once to a friend, that she was the most psychologically wholesome person I have ever met.”77Oral History, 94.
The two moved in together soon after beginning their relationship, and while neither of them held conventional attitudes about marriage, the couple decided to marry on May 6, 1939, just after Rawley had completed the last required coursework needed to hear his master’s degree in social work from the University of Pennsylvanian and shortly before a planned visit to Rakosi’s parents in Kenosha. Rakosi would later recall that they had chosen to wed largely to satisfy his parent’s expectations about marriage and children.[ce]
Having achieved something resembling stability in both his professional and personal life, Rawley/Rakosi gradually took less and less time for his own creative writing, before finally stopping writing and reading poetry entirely sometime in 1938 or 1939. This was an extraordinarily difficult decision for him to make, psychologically, as he explained in an autobiographical essay:
[M]y evenings were swallowed up by the things that a man who is not a writer normally spends his time on in a big city; the theater, concerts, professional meetings, friends, girlfriends. It was impossible to pile on top of this daily regimen a night of writing. When I tried it, I turned into such a live wire that I could neither sleep afterward nor do my work right the next day. In addition, my Marxist thinking had made me lose respect for poetry itself. So there was nothing to hold me back from ending the problem by stopping to write. I did that. I also stopped reading poetry. I couldn’t run the risk of being tempted.
When it came to me what I had done, that there would be no more writing in my life, I was stricken by what Kierkegaard, for a different reason, had called a “sickness unto death.” Living became a dreadful existential state, something grey and purposeless between living and dying, and so physical that for a while I was sure I was going to die. This lasted about two years and then stopped, and I went on with my life as a social worker and therapist. This was 1940.78Autobiography, 208.
Writing to Jim Cohn in 1987, Rakosi described the pressure to conform to the propagandistic demands placed on Marxist writers in the 30s as contributing to his decision to stop writing, but noted that “the main thing was that I couldn’t work all day as a social worker and psychotherapist, spend time with my wife and children, socialize with our friends, do the chores around the house and write. I would have had to be up all day and all night.”79Carl Rakosi Papers, Mandeville Special Collections, UCSD, MSS 355, Box 4, Folder 4.
In 1940, after five years in New York City, Rawley took a job as a supervisor of case work services for Jewish Family Service in Saint Louis, Missouri, where he also taught supervision at Washington University of St. Louis. In December of that year, Callman and Leah welcomed their first child, Barbara. Of their time in Missouri, Rawley recalled:
St. Louis is a very friendly city. I’ve always liked it. It’s neither South, nor North; it’s middle Southern. It has the real friendliness of the South, without being sloppy. Also, some of the holding back of the Middle West. I was there for about three years, and I taught supervision at Washington University. … I think I was perhaps happiest in St. Louis, because it is great to have your first child. It’s a happy time.80Oral History, 196.
Although he was no longer writing any new poetry by this time, James Laughlin’s New Directions Press published his first book of poetry, Selected Poems, in 1941, as part of the multi-publisher Poet of the Month series. Following the publication of this volume, Rakosi made one final effort to integrate his artistic and vocational ambitions by planning an application for a Guggenheim fellowship to study the psychology of the poet. In support of his application, he wrote to Wallace Stevens, William Carlos Williams, and Marianne Moore describing his plans and asking if they would provide letters of recommendation. None of the three agreed to provide letters of support for him, though Williams and Stevens both wrote him offering personal encouragement and praise for his poetry. Having failed to garner the support he felt he needed to be successful in his application, Rakosi abandoned the project, and did not publish (or write) any subsequent poetry until 1965, when he received a letter from Andrew Crozier inquiring about his early publications and wondering whether he had continued writing.
Callman Rawley, Therapist And Social Work Administrator
In 1943, Rawley moved his family to Cleveland, Ohio, where he had accepted a position as the assistant director of Bellefaire, a residential treatment center for psychologically disturbed children with severe behavioral problems. At Bellefaire, Rawley was responsible for training staff, supervising case workers and psychiatric service, and carrying out other administrative functions. While in Cleveland, the Rawley’s lived at 10514 Shaker Boulevard, and Callman and Leah welcomed their second child, a son they named George into their family in August 1944.
The following year, the family moved again, this time to Minneapolis, Minnesota, where Rawley had taken a position as the executive director of Jewish Family and Childrens’ Service, a counseling agency. Rawley would hold this position until his retirement in 1968. Rawley also began a private practice in psychotherapy in Minneapolis, and saw clients for the next two decades. While he wrote no poetry, Rawley completed course work for a doctorate in social work from the University of Minnesota from 1952 to 1954, and authored several dozen articles in psychotherapeutic-research journals in his field. [A description of these publications is outside the scope of this biography, but a good discussion of their contents can be found in …81Many can be read here: http://www.bjpa.org/Publications/results.cfm?AuthorID=2688 and on the UW special collections site.] In her biographical essay on Rakosi in the Dictionary of Literary Biography, Elizabeth Losh has noted that “During the quarter-century in which he developed the career of “Callman Rawley,” however, Rakosi was known primarily as a successful administrator at Jewish Family and Children’s Service in Minneapolis.”82”Carl Rakosi,” Elizabeth Losh, Dictionary of Literary Biography, 299.
RETIREMENT AND THE RETURN TO POETRY
In 1965, shortly before Rawley was set to retire from his long-time position as director of the Jewish Family and Childrens’ Service, he received a wholly unexpected letter from Andrew Crozier, a young English poet who was at studying with Charles Olson on a Fulbright scholarship at the State University of New York-Buffalo. Deeply impressed by Rakosi’s early work, and having compiled a sizable amount of information about Rakosi’s publications from the 1930s, Crozier wrote to any of Rakosi’s known acquaintances from that era. James Laughlin replied to his inquiry, reporting that he thought Rakosi’s “real name was … Calman Rawley” and that he had “once heard rumors that he was a secret agent of the Comintern, and it was hinted that he had disappeared back behind the Iron Curtain, but this is just gossip, as far as I am concerned” and referred him to George Oppen, warning him not to repeat the Comintern rumor.83letter from James Laughlin to Andrew Crozier, March 3, 1965 in UW-Special Collections, Box 1, Folder 3. Crozier eventually obtained an old work address for Rawley from Charles Reznikoff, and sent Rawley the following letter:
Please excuse me if I make any intrusion upon your privacy but I would like to write to you about the poems you published under the name Carl Rakosi. I have your address from the Hennepin County Welfare Department, to which I wrote at the suggestion of Charles Reznikoff in New York.
I have been interested in your poems since I saw your name mentioned by Kenneth Rexroth some three years ago, but until I came here last autumn was only able to turn up “A Journey Away” printed in Hound and Horn. I have now been able to find about eighty poems of yours, published between 1924 and 1934, and what immediately strikes me is the discrepancy between that body of work and your Selected Poems. And the way, say, long poems like “The Beasts” and “A Journey Away” are chopped up into smaller units in that volume.
I wonder, too, why you have stopped publishing since 1941 and whether you have been writing since then or not.
Again, please excuse me if this letter is an impertinence, but I like and admire your poems very much and feel impelled to write to you now, my interest is so engaged with them.
Rakosi recalled that upon reading Crozier’s letter:
My heart gave a leap. Something was moving in my distant young past. I began to feel slightly nervous . . . This not at all unusual letter knocked the wind out of me. I sat there, I don’t know how long, not thinking anything, yet sensing that something big had just happened, something had changed. Was it possible I could write again? This time it was possible. I would be free in two years, and with great joy I started. The first poem I wrote was “Lying in Bed on a Summer Morning” [a poem which ends by addressing the sky with this note of exuberance: “Your blue is clear / as on the first day. // In your presence I am man / and feel as if I / could live forever.” (Amulet, 22)].
Rakosi’s first book following his return to poetry was Amulet, published in 1967 by James Laughlin’s New Directions, the same press that had published his only previously book, Selected Poems, in 1941, and which had in the years just preceding had helped to revive the careers of his fellow Objectivists George Oppen and Charles Reznikoff.84On October 18, 1965 Laughlin writes to Rakosi at 4451 Colfax Avenue South, MPLS: “I can’t publish, but will show it June Degnan, our co-publisher, who does books under the joint San Francisco Review-New Directions imprint.” Laughlin wrote Rakosi again in November 1965 and February 1966, declining to publish his book but encouraging and urging to seek out June, referencing Charles Reznikoff, Kenneth Rexroth and suggesting that the poet Denise Levertov might be a good choice for an introduction. Levertov did end up writing the back jacket blurb to Amulet. Following the publication of Amulet, Rakosi was invited by L.S. Dembo to visit the University of Wisconsin-Madison in 1968, where he gave a reading and was was interviewed for an issue of Contemporary Literature that Dembo was preparing on the Objectivist poets.85The interview can be read on <a href=”http://www.jstor.org/stable/1207759″ target=”_blank”>JSTOR</a> From 1968 to 1975, Rakosi attended the Yaddo writer’s workshop in Saratoga Springs, New York each summer, greatly enjoying its bucolic setting and the camaraderie it offered for the various writers and artists who gathered there each year.
In December 1968, he retired from social work and psychotherapy, marking the end of Callman Rawley’s professional career. Upon his retirement, he essentially reverted to being Carl Rakosi, as his identity as a poet and writer became his most important public role for the remainder of his life. While Rakosi plunged himself back into the work of writing and publishing, his later statements about poetics and literary criticism were laced with a withering irony which sometimes bordered on contempt and he frequently sought to maintain his own personal distance from conventional notions of the poet’s identity, concluding a published autobiographical account of his life by asserting: “Looking back, it seems to me that three things in my life have made a man of me . . . humane, that is . . . the example of my father, social work, and Leah. Not poetry. I had to struggle to make a man of it.”86Autobiography, 209.
In 1969, Rakosi became Writer-in-Residence at his alma mater, the University of Wisconsin-Madison, in which capacity he taught a few undergraduate courses, gave a public reading, and helped to host and entertain other visiting literary dignitaries, including the Argentinian writer Jorge Luis Borges.87His brief encounter with a then 70-year old Borges made a deep impression on Rakosi and is discussed and analyzed in some detail in his essay “Scenes from My Life” in Collected Prose, 110-115. During his time at Madison, Rakosi met the poet Lorine Niedecker for the first time, visiting her and her husband Al Millen in March 1970 at their home on Blackhawk Island. In a handwritten note recalling their encounter, Rakosi would later write:
Visited her in March (1970) — rumors: total recluse – something wrong with her? Mental breakdown? ordinary cleaning woman in mental hospital – so, trepidation — fears groundless / moment I walked in her door, she was opposite of recluse: outgoing, of good cheer, very lively. Time flew. Delightful afternoon — much in common with Al. — House only a few steps from water, ground-level (no basement or steps) so small, if three of us had called on her instead of two, we cdn’t have moved past each other 88Carl Rakosi Papers, Mandeville Special Collections, UCSD, MSS 355, Box 4, Folder 4.
Rakosi’s return to poetry and his interview with Dembo also helped him initiate contact with others of the group that he had never met. At the time of his retirement, in fact, of all the writers included in the two early “Objectivist” publications, Rakosi had only ever met or corresponded directly with Zukofsky and William Carlos Williams. Of the remaining “Objectivists” with whom he would be forever lumped by dint of their shared publication in the early 1930s, Rakosi would become closest to George and Mary Oppen, eventually moving to San Francisco largely due to the strength of their friendship. Rakosi and Oppen did not meet each other in person until 1971, however. Of their initial encounter, Rakosi recalled:
The way it happened was that we sat around his kitchen table in San Francisco and talked and ate cheese and bread, and the more we talked and the more I looked into his steady eyes, the deeper down we got to something solid and brotherly between us, older than he or I. That is how we became old, old friends in one night.89”Scenes from My Life” in Collected Prose, 115
Rakosi’s next book, Ere-Voice, was published by New Directions in 1971, and in January 1972 he took over John Berryman’s “American Character” seminar at the University of Minnesota after Berryman committed suicide by leaping off of the Washington Street Bridge on the university’s campus the week before classes were scheduled to begin. In 1972 and 1979 he received awards from the National Endowment for the Arts; in 1973 he attended the National Poetry Festival in the experimental college at Grand Valley State University in Allendale, Michigan from June 14-24, along with Charles Reznikoff, George and Mary Oppen, Kenneth Rexroth, Robert Duncan,Allen Ginsberg, Charles Enslin, Ed Dorn, George Economou, and Rochelle Owens; and in 1974 he became poet-in-residence at Michigan State University, where he spent an extraordinarily cold winter teaching a group of students he regarded as fairly untalented.
In 1974, Rakosi also traveled to England, where Rakosi read at Morden Tower in Newcastle and met Basil Bunting for the first time. The English poet Richard Caddel, who was in attendance at that reading, wrote his memories of the encounter:
In the smoke-filled, partly-furnished room, Rakosi reads, it seems to me, the most Williamsesque of his poems from Amulet and EreVoice: plenty of experiential fact and natural speech; less of the interior or ornate. Bunting listens, impassive, nodding at times. In the hubbub of the interval the two talk together, alone, quietly. Through the crowd, I’m aware of the open friendship, sympathy, which is emerging between the two: a gentle animation, as of schoolboys sharing confidences, as they meet, at last, in reality.90“Rakosi and Bunting,” in Rakosi: Man and Poet, 116.
Rakosi and Bunting carried on a brief correspondence, and Rakosi would later contribute a memorial poem for Bunting to a posthumous collection edited by Michael Farley.91This poem, “A Minor Poet Not Conspicuously Dishonest,” was included in Farley’s A Dog Nose and can also be found in The Collected Poems of Carl Rakosi, 241.
In 1975 John Martin’s Black Sparrow Press published Ex Cranium, Night, a longer book (~175 pages) that combined poetry with aphoristic prose meditations. In 1981, he published two small-press chapbooks: History (with Ian Robinson’s Oasis Books in London) and Droles de Journal (with Allan and Cinda Kornblum’s Toothpaste Press), and in 1983, Ric and Ann Caddel’s Pig Press published Spiritus, I, which explored metaphysical ideas about poetic inspiration. The National Poetry Foundation, under the direction of Carroll Terrell, published his Collected Prose in 1983 and his Collected Poems in 1986, though the titles of these two books is slightly misleading, as neither made an effort to collect Rakosi’s work in a comprehensive or scholarly fashion.92While Andrew Crozier produced a very carefully documented edition of Rakosi’s early work in the form of Poems 1923-1941, Rakosi’s post-1965 publications remain uncollected.
Move to San Francisco
In 1978, Carl and Leah moved from Minneapolis to San Francisco, where they rented an apartment that Leah located on the eastern edge of the Sunset District at 128 Irving St., just behind the UC San Francisco Library and less than two blocks south of Golden Gate Park. The Rakosis had previously wintered in San Francisco, and had come to appreciate the city’s temperate winter weather, but the climate alone was not their primary reason for their move. In an interview with Kimberly Bird in 2002, Rakosi recalled that
I came here primarily because I had two poet friends living here: Robert Duncan and George Oppen. And once here, I can’t say that I disliked the city, but it didn’t seem quite right to me. It didn’t seem altogether American. In the Middle West, you feel that, well, you are right in the heart of the country since so much of American industry really started in the Middle West. I always had the feeling that this was the real America. … [I]t took me a long time to find San Francisco interesting. Interesting in its—first of all—its political life. There’s a lot of back and forth disputes and controversies and differing ideas. The architecture suddenly struck me, “Hey, this is really interesting.” Then recently I’ve really come to love San Francisco, but it took me about fourteen years to do it, to get the Middle West out of my system. Now when I return to Minneapolis to visit my daughter and granddaughter, it seems odd. Everything is flat there, although Minneapolis has its own interest, partly because of the university there, but it’s not as interesting as San Francisco or the whole Bay Area. Where else can you drive for about fifteen minutes and get out into beautiful Marin and other beautiful country? It’s special, it’s different.
In 2003, just a few months before his death, Rakosi would write to Andrew Crozier: “I marvel at how lucky I’ve been to be living in San Francisco, I think the most interesting city in the country, and beyond question, the most beautiful.”
In October 1984, Carl and Leah were involved in a frightening car accident when their car was struck by another driver while waiting at a traffic light and the force of the impact drove them with some force into a third vehicle also waiting at the light. Their vehicle was totalled, Rakosi sustained whiplash injuries, and the stress of the incident resulted in a surge in Leah’s already high blood pressure, but fortunately no further harm come of the incident and they had both fully recovered within a few weeks. Rakosi credited their survival to having been wearing seat belts, but they were both shaken by the incident.
Unfortunately, they were to face an even more serious health crisis in February 1986, when Leah was diagnosed with lymphoma. The news was a terrible blow to them both, and Carl’s anguish and despair is reflected in a series of morose letters to several friends in 1986 and 1987.93Cite Hollo letter [May 5 1986]? Although the cancer went into remission after intense chemotherapy, it was to return soon after, claiming Leah’s life on January 21, 1989. Carl and Leah had been married for more than 50 years. In his autobiographical account of his life, written in the summer of 1986 [between bouts of chemotherapy for Leah] Carl wrote of Leah:
In 1938 I met Leah Jaffe. I liked her immediately. We were married in 1939. A few years ago, in a letter, Cid Corman had remarked that he couldn’t visualize Leah or me without each other, and I, to confirm that there was a solid base to that, wrote back that ours must be one of the great marriages of all time. When I told Leah what I had written, she looked at me in disbelief. I was startled. Didn’t she believe the same thing? I examined her face. It looked serious. But something told me she was going to lower the boom on me. With a straight face, after a moment of suspense, she said, “If you feel that way, why don’t you bring me more presents?” We burst out laughing. She has a great spirit of fun. You can see why, in the words of young Mozart to his father, I hope she lives “till there is nothing more to be said in music.”94Autobiography, 208.
Life After Leah
Though his private life was upended by Leah’s struggles with and death from cancer, the late 1980s were also a time of great recognition for Rakosi as poet. Though his degree of satisfaction for this long-craved recognition was much tempered by events closer to his heart, Rakosi received a lifetime achievement award from the National Poetry Association in 1988 and an award from the Fund for Poetry in 1989. In September-October 1989, Rakosi attended the international conference on the American Objectivists organized by Emmanuel Hocquard in Royaumont, France. As the only living member of the original Objectivists in attendance, Rakosi found himself in a number of disputes with several prominent LANGUAGE poets and critics whom he felt had badly misunderstood Objectivist poetics and had developed warped affections for Louis Zukofsky, in particular.[cy]
Following the conference, Rakosi became involved in a spirited exchange of letters published in The Poetry Project Newsletter about LANGUAGE poetry and the Objectivist tradition. Following a conference dedicated to his work in Orono, Maine, the Michael Heller-edited volume Carl Rakosi: Man and Poet was printed by the National Poetry Foundation in 1993. Andrew Crozier collected and edited all of Rakosi’s early published work in Poems 1923-1941, which was published by Sun and Moon Press in 1995. Rakosi’s final two books of poems, The Earth Suite and The Old Poet’s Tale (an elegy for George Oppen) were published by Nicholas Johnson’s Etruscan Books in 1997 and 1999. In addition to these two books, Rakosi also published a number of poems in The American Poetry Review during the 1990s.
LAST YEARS AND DEATH
Following Leah’s death, Carl entered a long-term relationship with Marilyn Kane, a former nun who had been a neighbor and friend of Carl and Leah’s. According to his obituary published in a San Francisco newspaper, “Not long after Leah Rakosi’s death, Carl Rakosi invited her over for a drink. She stayed for dinner. He was 85, she was 53.” In personal correspondence with the author, Marilyn recalled:
I only met him when he was 85, but he was still a rugged looking, handsome guy. You would never have known he was that old. He walked briskly. Used to walk down to the ball park in Golden Gate Park and circle it several times.95Email correspondence, July 29, 2015.
In 1994, Rakosi and Kane moved to 1456 17th Avenue, a row house two blocks south of Golden Gate Park and about a mile west from he and Leah had made their home.
Rakosi died in San Francisco on June 25, 2004 after a series of strokes. He was 100 years old, and by the time of his death, had been the last surviving “Objectivist” for more than 15 years. Marilyn Kane died in San Francisco on May 19, 2016, aged 80.
- A Century in the Poetic Eye: Carl Rakosi on Poetry, Psychology, and World Affairs in the Twentieth Century. Oral history interviews with Kimberly Bird. Transcript held by the Bancroft Library, UC-Berkeley.
References [ + ]
|1.||↑||Birth name was Karl Rakosi, but the Hungarian spelling of his first name was abandoned at some point following his childhood emigration to the United States.|
|2.||↑||WWI draft registration cards give his birth as 13 May 1872.|
|3.||↑||”Carl Rakosi” in Contemporary Authors Autobiography Series, Vol. 5, p. 194.|
|4.||↑||”Carl Rakosi” in Contemporary Authors Autobiography Series, Vol. 5, p. 194.|
|5.||↑||In a brief autobiographical essay Rakosi relates that he does not remember seeing his mother or her ever touching him, even in the 5 years he lived with his grandparents in Baja. (Autobiography, 196)|
|6.||↑||In his published autobiographical account of his childhood, he relates a similar memory: “I am in a very long room, so long that I can not see its end. There is very little furniture. The ceiling is very high and vast. There are shadows. The further away they are, the longer and heavier. There is no one there. I lie in my crib. All I’m aware of is that I am. And the silence. The silence is loud. No one comes. The silence is all there is. The nothing is oppressive. Hours go by and it becomes harder and harder to bear. There is no end. There is only the silence. And nothing. But beyond what I can see is Something ominous looming (Autobiography, 195).|
|7.||↑||”Scenes from My Life” in Collected Prose, 85.|
|8.||↑||Archive for New Poetry, UCSD Mandeville Special Collections, MSS 0355, Box 4, Folder 4.|
|9.||↑||”Scenes from My Life” in Collected Prose, 85|
|10.||↑||”Scenes from My Life” in Collected Prose, 85|
|11.||↑||Source needed–from UCSD materials.|
|12.||↑||”Carl Rakosi” in Contemporary Authors Autobiography Series, Vol. 5, p. 194.|
|13.||↑||”Carl Rakosi” in Contemporary Authors Autobiography Series, Vol. 5, p. 194.|
|14.||↑||Oral History, 28.|
|15.||↑||”Scenes from My Life” in Collected Prose, 85-86.|
|16.||↑||See: Flóra and Róza Steiner: http://data.jewishgen.org/imagedata/hungary/holocaust/Baja16.jpg.|
|17.||↑||Oral History, 202. Another variant of the story can also be found earlier in this oral history document: “I went back with my daughter and son-in-law, and we went back to Baja, partly in order to find out what had happened to my family. So, we went to the city hall, but during the Communist regime, they had transferred all of the birth records to Budapest, so I couldn’t find out anything, but when I was walking down the street, I immediately recognized the houses, the kind of houses they were. So, we were walking down the street, and all of a sudden I see a synagogue there, a very handsome, rather new synagogue. Well, after the Holocaust, how could there be a brand-new synagogue in a city? So, we went inside and it turned out that they had transformed it into a library. So I was talking to the librarian who—I didn’t remember much Hungarian anymore. So I tried talking in German, and we got along fairly well. So I said, “How come there’s a synagogue here?” She said, “We thought that the Jews would come back.” Well, they had all been killed. There was only one single Jew left in the whole city of Baja. Everybody had been killed, sent to Auschwitz or other places. But, it shows—and this will interest you—that not everybody there was anti-Semitic, interested in killing Jews. They really thought that Jews had gone away to work somewhere, and this was the way to invite them back. It was an eye-opener for me. This is a dramatic story actually. Just one Jew. They had set up a tabernacle at one end of the library, and this single Jew, who apparently didn’t have a family anymore, used to come to Friday night services and perform the rituals. … So my daughter and I, and Dan, my son-in-law, walk outside, and I see there’s a wall there and some names inscribed carved into the wall, and just for the hell of it, I looked to see who’s there. Well, that’s how I discovered that my mother and grandmother had been killed in Auschwitz. Apparently my grandfather had died before that. (6-7)|
|18.||↑||Rakosi describes the stress of this health screening in his Autobiography: “There into what looked like an enormous, barren barracks, the immigrants poured and stood around, waiting nervously in their best clothes to check out their papers and to go through the required medical examination, and it hit them head-on for the first time that no one knew exactly what state of health they had to be in order to pass” (199).|
|19.||↑||Oral History, 4.|
|20.||↑||Bird, Oral History, 11. Similar account in the autobiography: “Gary’s school system was better than you’d expect in such a rough steel town. That was because it happened to have a bold, innovative superintendent at the time who assigned children to grade levels not on the basis of age but mental ability. Thus, one day I was sent to a room I had never seen before and given a test; I had not the foggiest notion why. The next day I was called out of class to the principal’s office and told I was going to be moved ahead a grade. I couldn’t understand it. Then a month later, the same thing, another grade ahead. I had no difficulty doing the work in the upper grades, but now everybody in the class was two years older than I, and that did make a difference in my life because henceforth everybody in class would always be two years older and bigger and I would always be two years younger and smaller, even at the university.” (199-200)|
|21.||↑||Rakosi spoke of a similar memory with Kimberly Bird late in life: “on the playground in Gary, it was a terrifying experience, because the steel workers were big guys, and they had big sons, and they were mostly black at that time, I remember, and these guys would come running out with brickbats, or wooden bats with nails in them and come at you, and they would take over the whole playground. You wouldn’t dare go out to play there.” (Oral History, 11)|
|22.||↑||Letter to Jim Gross, 12 June 1985. UW Madison Special Collections, Box 2, Folder 37.|
|23.||↑||Carl Rakosi papers, Mandeville Special Collections, UCSD, MSS 355, Box 8, Folder 31.|
|24.||↑||Kenosha’s population in 1880 was just over 4,000 people. By 1910 in had grown to over 21,000, and to more than 40,000 by 1920 (meaning that it had sustained an average annual growth rate of nearly 6% for 40 years!)|
|26.||↑||Oral History, 16.|
|27.||↑||Oral History, 28.|
|29.||↑||”Although my father and stepmother were intelligent and had a high regard for learning (he had a European’s great respect for culture), she was too practical and literal to be interested in more than a newspaper, and his eyes at the end of a day were too tired to be able to read. Thus, there were no books in our home.” (Autobiography, 200).|
|31.||↑||Letter to John Kingsley Shannon, 10.21.81, in UW-Madison Special Collections. Box 2, Folder 31.|
|32.||↑||Bird, Oral History, 18|
|34.||↑||Carl Rakosi collection, Mandeville Special Collections, UCSD, MSS 355, Box 4, Folder 4.|
|36.||↑||Oral History, 21|
|38.||↑||Oral History, 21.|
|39.||↑||Oral History, 22-23.|
|41.||↑||”Scenes from My Life” in Collected Prose, 90|
|42.||↑||He wrote in an autobiographical account of his life: “As soon as we sat down to her table and saw spread out before us all the dishes heaped high, steaming hot from the kitchen, and rich spicy smells all around, like at home, we unwound and started jabbering away, joking and bantering and laughing, and she stood by our chairs with a big smile, as if entranced, and took in every word, laughing hard along with us and making herself a part of us without intruding. How she enjoyed seeing us eat heartily! And when the food ran out, how happily she ran into the kitchen for more. The place had the jovial spirit of Dickens when she was there, and the warm, giving spirit of a genial mother who knew how to keep hands off. How much she gave us! And how uncertain her own future was” (Autobiography, 202).|
|43.||↑||Also in Collected Prose (the college friendship section occurs pp. 88-104)|
|44.||↑||Wisconsin Alumni Magazine, 22|
|45.||↑||This is My Body, 162-165|
|48.||↑||Oral History, 44.|
|49.||↑||Rakosi describes this meeting in some detail in “Scenes from My Life” in his Collected Prose, 90.|
|50.||↑||Oral History, 31.|
|52.||↑||In his published autobiography he says “For one thing, Rakosi was forever being mispronounced and misspelled, but the main reason was that I didn’t think anyone with a foreign name would be hired, the atmosphere was such in English departments in those days. I kept Rakosi as my pen name, however, and no one who knew me as one, knew me as the other. This suited my purpose, as I didn’t want professional colleagues to know that I was a writer. It was not just that I wanted to keep that private: I thought it would color and contaminate their perception of my understanding and practice of the profession.” (Autobiography, 205-206)|
|53.||↑||Oral History, 14|
|56.||↑||Bird, 194, 124.|
|58.||↑||Source needed. UCSD?|
|60.||↑||”Scenes from My Life” in Collected Prose, 107|
|61.||↑||Rakosi writes penetratingly of his relationship with Zukofsky and his relationship to the label “Objectivist” in “Scenes from My Life” in Collected Prose, 104-108|
|62.||↑||Letter to Andre and Pat Lefevere, 12.20.83, UW-Madison, Box 2, Folder 30|
|63.||↑||Autobiography, 207. Rakosi describes his experience riding the rails in some detail in his interview with Kimberly Bird (Oral History, 67-68, 214).|
|64.||↑||Oral History, 195.|
|65.||↑||Oral History, 42-43.|
|67.||↑||Oral History, 47.|
|68.||↑||In 2002, he told Kimberly Bird: “I’ve always been a Marxist. the idea of communism is noble. There’s nothing wrong with the idea. It’s just that the kind of Marxists who became leaders just took advantage of it and corrupted it” (Oral History, 57).|
|69.||↑||Carl Rakosi papers, Mandeville Special Collections, UCSD, MSS 355, Box 4, Folder 4.|
|71.||↑||Originally published in Exquisite Corpse 58?, included in Thus Spake the Corpse : An Exquisite Corpse Reader 1988-1998: Volume 1, Poetry & Essays. Rakosi gives a similar account of this time in his life in his 2002 oral history interview with Kimberly Bird: “In those days some of the Communists were organized according to where they worked and some according to where they lived. [Leon Serabian Herald] belonged to a street area group. He kept talking to me about, “Why don’t you join the Party?” Well, he finally persuaded me, but I was also persuaded by my curiosity as to what it was like to be an actual member of the Party. I was very curious. So, I decided to join. Well, the Party wouldn’t take just anybody. You had to be recommended by a Party member, so Leon recommended me enthusiastically [laughter] to become a member. However, I didn’t join the street Communists, I joined the workplace Communists. They were called cells. I was astonished to find that the members of my cell, which was the social agency I was working in, were really the brightest, the most sensitive, the most perceptive people in the agency. … So, what happens at meetings, well, they had to do entirely with how to influence the minds of the other workers, to make them knowledgeable about communism and want to join. I think I was in it for two years. After a while, I realized, “I’m not really interested in changing other people’s minds.” Finally I decided, “No, I’m just not going to do it.” I remember that speakers would come in from the central committee of the Party and speak to us. They were like creatures from Mars. They weren’t like us at all. I was repelled also by the strict dogmatic party line that they were there to teach us. So, I left the party (Oral History, 56)|
|72.||↑||Oral History, 62-63.|
|73.||↑||Oral History, 63.|
|74.||↑||Carl Rakosi papers, Mandeville Special Collections, UCSD, MSS 355, Box 4, Folder 4.|
|75.||↑||Quoted in Thus Spake the Corpse : An Exquisite Corpse Reader 1988-1998: Volume 1, Poetry & Essays.|
|76.||↑||Oral History, 94. He also said of her: “Oh, you never thought of her as rebellious. I don’t know how to describe her. There was a great calmness about her, a maturity. I described her this way once to a friend, that she was the most psychologically wholesome person I have ever met. She had lost her father when she was a teenager. She had just adored him. He must have been a great father. Her mother was kind of a non-figure in the family, so she was more or less on her own, with an older brother George who was a great guy, actually. That whole family was an interesting family. She had one brother called Irving who was an absolutely typical New Yorker: he talked like a New Yorker; he thought like a New Yorker; he was never out of New York City in his life; he was a car salesman; he talked like a car salesman; he didn’t read books. When he learned that I had written books, he went to the library, and my God, there was a book of mine there. He couldn’t get over it. He couldn’t get over the fact that his brother-in-law had written a book.” (94).|
|77.||↑||Oral History, 94.|
|79.||↑||Carl Rakosi Papers, Mandeville Special Collections, UCSD, MSS 355, Box 4, Folder 4.|
|80.||↑||Oral History, 196.|
|81.||↑||Many can be read here: http://www.bjpa.org/Publications/results.cfm?AuthorID=2688 and on the UW special collections site.|
|82.||↑||”Carl Rakosi,” Elizabeth Losh, Dictionary of Literary Biography, 299.|
|83.||↑||letter from James Laughlin to Andrew Crozier, March 3, 1965 in UW-Special Collections, Box 1, Folder 3.|
|84.||↑||On October 18, 1965 Laughlin writes to Rakosi at 4451 Colfax Avenue South, MPLS: “I can’t publish, but will show it June Degnan, our co-publisher, who does books under the joint San Francisco Review-New Directions imprint.” Laughlin wrote Rakosi again in November 1965 and February 1966, declining to publish his book but encouraging and urging to seek out June, referencing Charles Reznikoff, Kenneth Rexroth and suggesting that the poet Denise Levertov might be a good choice for an introduction. Levertov did end up writing the back jacket blurb to Amulet.|
|85.||↑||The interview can be read on <a href=”http://www.jstor.org/stable/1207759″ target=”_blank”>JSTOR</a>|
|87.||↑||His brief encounter with a then 70-year old Borges made a deep impression on Rakosi and is discussed and analyzed in some detail in his essay “Scenes from My Life” in Collected Prose, 110-115.|
|88.||↑||Carl Rakosi Papers, Mandeville Special Collections, UCSD, MSS 355, Box 4, Folder 4.|
|89.||↑||”Scenes from My Life” in Collected Prose, 115|
|90.||↑||“Rakosi and Bunting,” in Rakosi: Man and Poet, 116.|
|91.||↑||This poem, “A Minor Poet Not Conspicuously Dishonest,” was included in Farley’s A Dog Nose and can also be found in The Collected Poems of Carl Rakosi, 241.|
|92.||↑||While Andrew Crozier produced a very carefully documented edition of Rakosi’s early work in the form of Poems 1923-1941, Rakosi’s post-1965 publications remain uncollected.|
|93.||↑||Cite Hollo letter [May 5 1986]?|
|95.||↑||Email correspondence, July 29, 2015.|